Unidentified maker, George Washington on Horseback, early 19th century. Carved and painted wood, leather, and brass, 21 1/2 x 21 x 7 in. Collection of Shelburne Museum, museum purchase, 1950, acquired from Mary Allis. 1961-1.232. Photography by Andy Duback.

To mark the 250th anniversary of the signing of the Declaration of Independence in 1776, Shelburne Museum’s Curators have assembled a self-guided tour that highlights paintings, folk art sculptures, and textiles on view throughout the Museum that symbolize, idealize, and mythologize a nascent America.

Shelburne’s collection of American material culture includes numerous works rooted in the origins of our country. The work highlighted in this self-guided tour features patriotic themes that form a throughline from the 18th to early-20th centuries at the Museum and narrate a rich history of the United States that carries the theme forward.

View The Guide

List of Items on the Tour

 
Webb Gallery
John Singleton Copley, John Scollay, ca. 1760. Oil on canvas, 36 1/4 x 29 3/4 in. Collection of Shelburne Museum, museum purchase, acquired from Harry Shaw Newman, The Old Print Shop. 1959-275. Photography by Andy Duback.

America the Beautiful: Portraits, Landscapes, and Genre Paintings

Highlights key works that celebrate the people, places, and events of American history. Installed throughout the gallery, the exhibition features portraits of notable figures by major artists, sweeping views of the nation’s diverse landscapes, and scenes of everyday life and cultural moments that together reflect the richness and complexity of the American experience.

Stagecoach Inn
Unidentified maker, Eagle on Uncle Sam’s Hat, ca. 1860–70. Carved and painted wood, 24 x 11 x 23 1/4 in. Collection of Shelburne Museum, museum purchase. 1965-251. Photography by Andy Duback.

By the People, for the People: Patriotic Folk Sculpture

Explores a rich array of utilitarian and decorative objects, from ship carvings and weathervanes to tavern signs. These three-dimensional works reflect a deep-rooted sense of national pride, honoring heroic figures such as General George Washington and personifying inspiring symbols like Liberty and the bald eagle. Created by largely self-taught artists, these objects embody an earnest, imaginative patriotism that is as varied and spirited as the nation they celebrate.

The Dana-Spencer Textiles Galleries at Hat and Fragrance
Unidentified maker, Pieced Star-Spangled Banner Quilt, 1850. Cotton, 91 3/4 x 92 3/4 in. Collection of Shelburne Museum, gift of John Wilmerding. 2011-35.5. Photography by Andy Duback.

A Patchwork Nation: Patriotic and Log Cabin Quilts

Presents a selection of bedcovers from the Museum’s collection adorned with bald eagles, stars and stripes, and abstract patterns drawn from distinctly American experiences. The exhibition in the west gallery highlights the many variations of the Log Cabin pattern, a motif often linked to the origin stories of two U.S. presidents, underscoring how textiles can convey both national identity and enduring cultural mythologies.

Museum Grounds

Timing

May 9, 2026 - Opening

Oct 25, 2026 - Closing

Handwork & Headwork: Quilts in America at 250

American quilts carry a range of meanings involving degrees of handwork and headwork. “Handwork” affords space for embodying and reimagining craft traditions in service of contemporary concerns. “Headwork” honors memory and tradition, as well as past and future material histories. Katie Wood Kirchhoff, the Alice Cooney Frelinghuysen Curator of American Decorative Arts, leads a conversation ranging from African American quiltmaker Harriet Powers and the U.S. Postal Service to the AIDS Memorial Quilt to Burlington’s own Lilian Baker Carlisle, highlighting projects that have employed this medium to commemorate and concretize a diverse range of American histories, from the 19th century to the present day.